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CHAPTER 11 - ARSONELLA Part 2

(Transcript and visual captions below)

Arsonella stalked the catacomb with a head full of death like a martini full of olives. The mystical aura of the place was thick like junk in the spoon of a tenth level warlock. If she died now, her legend would be buried. If she killed, she would live forever.
     Doris trembled like a daisy in a winter chill. Arsonella didn't have time for her fear.
    "Hang on, baby. Shit's about to get real..."

What did they do with the baby?

They had an open relationship - a necessity in Akiko's line of work - but there were rules. Arsonella wasn't looking forward to that conversation, or the one with her employer.
      "The places between worlds? How the hell am I supposed to get into those?"
She was going to need bigger guns.

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     January 12th, 2015
     By:  Christopher

The nonsense continues apace. But is it perhaps beginning to draw near to some truth? Stay tuned, y'all!

In other things, these two comics were pencilled by me and inked by my dude, and in the sexy panel there, I had just forgotten to draw her torso altogether - which Kelly misinterpreted as nudity. That environment was meant to be a hall, like, she was walking Doris home, but now the canon is a little more racy. We must presume that is the interior of the apartment, they done some things, and then Arsonella strolled like James Bond.

Excelsior!

       TRANSCRIPT: This is the text of the comic, for purposes such as translation and internet searches.

1.)

        (In the mode of the weekend editions of daily comics once more, we see an introductory splash panel. A title about
   Arsonella looks fancy, embossed and adorned with a bat and a pumpkin. She stands before spike-mounted skulls and smoke,
      and a snake-like Minchin looms above. Her arms are crossed and holding two pistols..)

TITLE: Arsonella Jones in "Hunt for a Killer"

2.)

    (Arsonella and her new friend the crowgirl stalk through a rough stone tower, moon high above the open roof. Arsonella is all fierce determination, clutching a longsword with both hands. On a level above them, a crowboy sorcerer has opened a pot from which an extra
      snakey Minchin extends, his head nearly upon the ladies.)

ARSONELLA: IT'S QUIET   TOO QUIET.

3.)

   (Gracie and Arsonella are in martial arts outfits. Gracie is in the air with arms crane like, leaping
     above Arsonella's kick. A wizened master smokes a pipe as he observes from the background.
)

GRACIE: YOUR STYLE IS INFERIOR!

ARSONELLA: KI-YA

4.)

(Farley and Gracie have guns to each others heads in a room full of flames.)

FARLEY: HOW FAR ARE YOU WILLING TO GO?

ARSONELLA: ALL THE WAY.

5.)

   (Arsonella swings away from an exploding building by a rope. Is it tied to a helicopter? Looks like a landing
skid in the top corner of the panel. Behind her in the building, doomed gunmen hang out of the windows above
    the fire. She grips a knife in her teeth and a baby in one arm, while the crowgirl clings to her other side.
)

EXPLOSION: BKKOOM

6.)

(A bus pulls up in front of an apartment. We see speech balloons coming from the bus.)

CROWGIRL: THIS IS ME.

ARSONELLA: NOT BAD.

CROWGIRL: WAIT 'TIL YOU SEE INSIDE.

7.)

(Inside the apartment, the ladies embrace while moths circle the light overhead. It's a CANC scenario - Clothed Arsonella, Nude Crowgirl.)

ARSONELLA: SO DORIS, HOW IS IT THAT NO ONE CAN FIND MINCHIN?

CROWGIRL: THAT'S EASY. HE DWELLS IN THE PLACES BETWEEN WORLDS...

8.)

(Later, Doris the crowgirl sees Arsonella away at the door.)

CROWGIRL: YOU'RE NOT GOING TO CALL, ARE YOU? YOU'RE WITH SOMEONE.

ARSONELLA: YEAH.

9.)

(Arsonella turns to leave, the door closed behind her. She looks emotionally and physically defeated.)

ARSONELLA: SIGH

 
 
 
 
 
 
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